heheh... ain't that cute?Monday, March 29, 2010
spring break with nothing to do? will blog!
heheh... ain't that cute?Friday, March 26, 2010
genius idea!!
Tuesday, March 23, 2010
Darn it, Art Center!
NO MORE LITTLE WARNING NOTICES, DAMMIT!
post rave blog
Saturday, March 20, 2010
losing my rave virginity tonight!

once again, talking to albielove.
ALBIE
I'M GOING TO A RAVE TONIGHT
YEAAAHHHH
is it doorway rave?!
unfortunately, no. ):
I wouldn't have the doorway rave without you
it's underground
O_O
WHAT
wtf are you going O_O
to like
the hood?
he's too cute.
Thursday, March 18, 2010
my new artistic philosophy
"'less is more' only if you fail at 'more is more.'"
Wednesday, March 17, 2010
DESIGNER OLYMPICS???
when you come to ACCD in two years
i will pass the torch over to you haha
lol designer olympics
DUDE
OLYMPICS FOR DESIGNERS
like for a triathalon
you could do like
design a product in 15 minutes
then you run over and do a quick like 3d model on the computer
then you make a physical model
and whoever finishes first wins
i love you, albie. (:
Tuesday, March 16, 2010
edwin birdsong pt. 4
Sunday, March 14, 2010
edwin birdsong pt. 3

Thursday, March 11, 2010
I LOVE YOU ART CENTER!!!

I'M A COLLEGE GIRL NOW.
Wednesday, March 10, 2010
bgi??
BEST DAY EVER (for now)
cloud watching
and in the grass
in the breeze
had a long talk about humanity and stuff
then we had a play fight
then my teacher was absent
then i come back and Edwin Birdsong (two time Grammy award winner and composer for daft punk and kanye west) asked me for my email
and theeeen
GRACE'S BOYFRIEND IS COMING TO VISIT HER
AND THAT GIVES ME SO MUCH DAMN HOPE
EDIT: slight damper in the day-- Grace's boyfriend cancelled on her... there is still next time, right?? don't lose hope, Gracie!
Posted by miyavicake at 9:19 PM Labels: ♥, Grace 0 commentsedwin birdsong pt. 2
Saturday, March 6, 2010
damn you, art center!
what is "design"? part deux
Friday, March 5, 2010
albieisms

WAIT
WHY AM I THE ABS LOL
LOL
i dunno
what would you rather be?
idk
@_@
i think i should be tagged
as taeyangs
real face
>;D
yes
thats more like it
i am amazingly beastly
god, i love you, albie(:
DISCLAIMER: I don't find muscular men attractive at all. Six/eight/ten/twelve pack abs creep me out. I originally drew this "portrait" for a friend who's crazy about muscular men.
DreamWorlds by Dreamworks

Thursday, March 4, 2010
my drink of choice
Wednesday, March 3, 2010
I LOVE SMALLTALK.
Monday, March 1, 2010
lulz, i'm hardcore.

accd application essays part deux
I really didn’t like math and science. Okay, “didn’t like” is an understatement. I hated math and science. I absolutely loathed those two subjects. (Well, mostly because I tended to fail in those two subjects.) I was what people would categorize as a typical “artist”: I loved the liberal arts of English, foreign languages, and the study of art itself. I was comfortable as a conventional and traditional stereotype. However, my cozy little world was shattered in my junior year of high school by that dirty monster Industrial Design. That class was an abomination. It required me to make orthographic renderings, research materials, and even go as far as engineer and determine the mechanics of products and vehicles! Although I knew what was in store for me, I was not disheartened. I decided to risk defeat and a plunge in my GPA by trying something that I was inherently horrible at and challenged myself to face my fears face on.
I can’t even sum up how much that risky decision has helped me. Sure, I basically slept twenty hours that entire school year, yes, I’ve charred myself countless times with hot glue, yeah, I never so much even want to think about foamcore again, and of course, the teacher was more frightening than the actual class, but for all the luxuries and sanity that I lost, I gained infinitely more valuable things. Industrial Design taught me the importance and beauty of research (who, what, when, where, how, and why), of drawing from reference instead of from my imagination, the ability to problem solve, the significance of actually thinking things through before putting my pencil to paper, and the nooks and crannies of the creative and design process behind a product. What’s more, Industrial Design has also taught me professionalism; from basic skills like cleanliness to more elaborate techniques like creating a foamcore display, Industrial Design taught me it all. The list can continue on and on, but perhaps the most important lesson of all, I learned what “design” truly means.
Industrial Design proved to me that design is not just styling alone, but it is actually comprised of many different facets. As successful design has to be easy to use (ergonomic), easy to manufacture (economical), easy on the eyes (aesthetic), and progressive. A successful design does not necessarily have to be revolutionary, but it has to at least have evolved from its previous generation. I saw and experienced the real definition of design every class. Our critiques were often brutal with The Yao calling out our every flaw, and although every assignment was a huge mental hurdle but every student (who wanted to be there) welcomed the challenges. Call me a masochist or whatever you like but I don’t think I’ll ever give up ID. I’ve learned so much in just three terms, not to mention the numerous doors to design it has opened for me. Thanks to my risky decision, I now peruse design websites daily and am now actually aware of what’s happening in the art world. I know of more designers, more movements, more styles, more materials, more events, more everything than I ever had before. Of course, also thanks to Industrial Design, I discovered that I can pull two consecutive all-nighters.
crap. my thesis is off topic with the rest of my essay. i failed to make a logical tie-in. DAMMIT!
EDIT: SHIT! THIS ESSAY DOESN'T MAKE ANY F*&KING SENSE!!!A DKJHFJKSDGF
accd application essays part un
If I were to describe my artistic style, I would have to say it's a mix between Erté, Hayao Miyazaki, and Leonardo da Vinci; my style is traditional yet open to changes, bold yet soft and whimsical as well as detailed and loose at the same time. I am interested in abstract ideas such as fantasy worlds and characters as well as solid, rational concepts like human anatomy. Those three artists have not only influenced and helped shape my technique, but they have each made significant contributions to the world as I hope my work will too.
Probably the most significant artist in my life, Leonardo da Vinci, master scientist, mathematician, and artist, taught me the fundamental principle of art and design that I would go on to adopt as my personal and aesthetic philosophy. Like Leonardo, I believe that design encompasses all three elements of science, math, and art. (I call them the Awesome Thr33some.) Take his rendition of Vitruvius’s Vitruvian Man for example, those three elements are inherent and obvious in the mathematical divisions of the proportions and in the genetic make up of the body itself that allowed Leonardo to draw and depict the subject accurately. Seeing that, I have no doubts that the human body is a product of divine design. Henceforth, I have always revered and loved anatomy; Leonardo taught me to love every curvature of the body, every protrusion of the bones, and every role of the muscles. Leonardo’s work has also thought me something of equal importance, if not more important-- his numerous inventions made me realize that a good designer must always keep an open mind and explore new challenges as art and design is not only about aesthetics, but also about solving society’s problems.
In the same way that Leonardo is connected to my rationale, Hayao Miyazaki is connected very much to my emotions. Miyazaki’s simple technique of watercolors and graphite takes me back to an equally simple time: my childhood. Even as an adolescent, I wish I can escape to the beautiful Star Lake in Howl’s Moving Castle or visit Totoro in his mossy cave. Because I, like Miyazaki, never want to let go of my inner child, I often create and escape into imaginary worlds of fantasy characters. Another Miyazaki theme that has a profound impact on me is his mastery of nature. Miyazaki, who tends to always place his characters in the midst of nature, taught me the importance of environment: that a well drawn organic environment adds to the whimsy and tranquility of an art piece. To me, that also seems to comment on the social issue that the relationship between man and nature is whimsical but also essential; although nature calms us down, we humans will only return to nature for a brief moment. Because of that, Miyazaki has inspired me to capture that fleeting moment of tranquility and beauty of the natural world within my artwork. Similarly, Mr. Miyazaki’s work also showed me that colors are equally instrumental in determining the feeling a piece of art projects to its viewer. That said, I am also compelled to evoke the same emotions in my work as Miyazaki does with his soft, pastel watercolor palettes or his dark, abysmal, and heavy color choices.
Although my love and respect for the French fashion illustrator Erté is recent, it is just as deep as my reverence for both Leonardo and Miyazaki, for I have also adopted many of Erté’s techniques and morphed them with my own. One of the most important things that I have learned from Erté is professionalism and the significance of clean lines. Erté’s crisp, bold, black and white illustrations state that he knows what he’s doing. In the same way that his lines signify his expertise, the stark contrast of the black ink of white paper proves his confidence in his field. Even if my illustrations at times fall short in skill, I can at least feign confidence with Erté’s signature style. Details and patterns, also a major facet of Erté’s style, proves the point (to me, at least) that art can be therapeutic. In the same way that Erté meticulously draws every hair of a fur coat, I diligently dot every inch of my pointilism projects and I enjoy it. Rather than seeing it as a repetitive and monotonous process, I fall instead into a peaceful trance that allows me to escape from my everyday problems and finish intricate projects rather quickly. Erté’s techniques taught me that as cliché as it sounds, art is my escape and that’s okay.
Previously, I stated that those three artists (Leonardo, Miyazaki, and Erté) not only influenced me, but also the rest of the world. Yes, that’s true: Leonardo gave us a timeless and accurate diagram of human proportions, Miyazaki thrilled children and adults alike worldwide with his fantastical creatures and worlds, and Erté inspired fashion designers and illustrators worldwide with his bold, detailed drawings of garments. Similarly, I aim to influence the technique, philosophy, and ethics of future artists like my heroes. Although their shoes might be hard to fill, I still hope to step into them little by little.
...i really hope that i'm not off topic. omggggggg.




